Rosamund Pike’s Marla Grayson puts the “devilish” in “devilish grin,” playing a lead even more evil than Gone Girl’s Amy Dunne, and the darkness in the film keeps you guessing and laughing right up until the shocking ending. While audiences are naturally repelled by bad people doing bad things to good people, the rules are completely different when it’s bad people doing bad things to other bad people, and I Care A Lot is that notion incarnate. There isn’t a single redeemable human being among the cast of characters, as they are all either motivated by awful intent or willful ignorance, and it’s disturbing to think that it actually reflects a real part of modern society – but what’s magical about its sociopathic darkness is that it hits a point where it succeeds in being hysterically funny. J Blakeson’s I Care A Lot is a different kind of entry on this list, as it’s a comedy, but it also has a heart that is shriveled and black and pumps viscous tar. The executed revenge against Bradley Cooper’s Jon Peters is the movie’s comedic highlight, but there are big laughs throughout, from Gary’s surprise arrest at the Teenage Fair that ends up being a bizarre case of mistaken identity, to Alana’s unfortunate tumble off the back of a motorcycle driven by Sean Penn’s Jack Holden. There’s a terrific rambunctiousness to the hijinks of the lead characters – played flawlessly by Alana Haim and Cooper Hoffman – but that’s paired with a wonderful ambitiousness that is genuinely endearing.
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It’s the filmmaker’s first crack at making a coming-of-age story, and the youthful energy is possesses is wild, endearing, and joyous. Punch Drunk Love, Inherent Vice), and Licorice Pizza is a fantastic addition to the latter canon. There Will Be Blood, The Master, and Magnolia), but some of his best works have been his lighter movies (e.g. Paul Thomas Anderson has made some extremely grim and dark dramas (e.g.
(Image credit: United Artists Releasing) 3. It’s actually hard to even nail down which character is the funniest – be it John Cena’ Peacemaker, Sylvester Stallone’s King Shark, Margot Robbie’s Harley Quinn, or Daniela Melchior – because as soon as your brain puts up a candidate, your brain immediately reminds you of a hysterical sequence that puts someone else in the comedy spotlight.
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James Gunn’s ear for witty banter is working at full force in The Suicide Squad, and the spectacular ensemble cast he put together is impeccable in their delivery. The filmmaker’s comedic sensibilities have been a driving force in his work ever since he made his directorial debut with the horror comedy Slither in 2006, and with DC Films giving him the go-ahead to go buck wild with crazy R-rated action for the summer blockbuster, he did just that and created one of the funniest films of the last 12 months. Most of the comic book movies released in 2021 are ultimately too serious to qualify as one of the best comedies of the year, but James Gunn’s The Suicide Squad is the big exception.
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